Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Gerard ter Borch the Younger
Portrait of Aletta Pancras (1649-1707).

ID: 93647

Gerard ter Borch the Younger Portrait of Aletta Pancras (1649-1707).
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Gerard ter Borch the Younger Portrait of Aletta Pancras (1649-1707).


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | A mother combing the hair of her child, known as Hunting for lice | A Woman playing a Theorbo to Two Men | The Suitors Visit | Godard van Reede (1588-1648), lord of Nederhorst. Delegate of the province of Utrecht at the peace conference at MUnster (1646-48) | Woman reading and a young man holding a tray. |
Related Artists:
Francisco de Zurbaran
1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
Claudio Jose Vicente Antolinez
painted Inmaculada in 1670
Sophie anderson
1823-1903 was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. Her work is loosely associated with the Pre-Raphaelite movement. She was the daughter of Charles Gengembre, a Parisian architect, and his English wife. She was largely self-taught, but briefly studied portraiture with Charles de Steuben in Paris in 1843. The family left France for the United States to escape the 1848 revolution, They first lived in Cincinnati, Ohio, then in Manchester, Pennsylvania, where she met and married the British genre artist Walter Anderson. She initially worked in portraiture, including work for the chromolithographers Louis Prang & Co.. In 1854 the Andersons moved to London, where she exhibited her works in the Royal Academy. They returned to New York in 1858, then finally settled in London around 1863. Over the next three decades, her work was widely shown at venues including the Royal Academy, the Society of British Artists and many regional galleries.






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